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MUS 312
INTERMEDIATE ARRANGING
3 Credit Hours
9:30 A.M. - TR
Instructor: Prof. Christopher Kozak
Moody Music Building, Media Classroom
205-348-6333, 205-348-1473 (fax)
ckozak@music.ua.edu
Prerequisite: MUS 310 or permission of instructor
COURSE DESCRIPTION:
This course will emphasize arranging for the big band (5-4-4-4)
based on the foundations laid in MUS
310. The students will
also explore extended techniques including principles and application
of symmetrical scales and chords, pedal points, poly-tonality,
triads over foreign bass notes, modes of the melodic minor
scale, and planing techniques. Information will be studied
from a variety of sources including transcription, analysis,
and hands-on application.
COURSE GOALS & OBJECTIVES:
To introduce the student to new and current techniques in
jazz arranging and to give them the abilities to apply these
principles in a variety of instrumentations. Emphasis will
also be placed on time effective creativity. The students will
be expected to arrange music under the guise of a deadline
and to learn how to be creative in a limited amount of time.
Not only is this a practical skill, but also a valuable and
marketable one giving the students the edge in the music industry.
REQUIRED MATERIALS:
Inside the Score, Rayburn Wright,Kendor Music, Inc.: Delavan,
New York, 1982.
Blank staff paper (10 stave)
Blank score paper
Floppy disks (1.4 mg HD)
ASSIGNMENTS & PROJECTS:
Weekly assignments will be given as new techniques and principles
are discussed in class. Assignments will be due the next class
time and discussed in depth. There will be two arranging projects
during the course. Both projects are big band arrangements.
Transposed scores are required. Projects are to be completed
in Finale software.
EXAMINATIONS:
There will be a mid-term and a final examination (comprehensive
of the entire semester). The main purpose of the examinations
is to verify that the students comprehend the techniques and
principles taught in class and can readily apply them in a
short period of time. There will be quizzes throughout the
semester.
GRADING PROCEDURES & POLICIES:
Assessment of the student's work is based on the following
criteria:
- Comprehension and command of material covered in the course.
- Command of terminology.
- Overall development of ideas (unity and direction) within
arrangement.
- Success of read-down sessions.
- Punctuality of assignments and projects.
- For every day past the deadline, the grade will be lowered
one letter grade.
GRADING SYSTEM:
The student's final grade will be drawn from grades received for each component
of the course:
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Grades: |
| Daily Assignments |
5% |
95%-100% = A |
| Quizzes |
10% |
90%-94% = A- |
| Project 1 (big band, a la Nestico) |
20% |
86%-89% = B+ |
| Project 2 (big band a la Jones, etc.) |
25% |
82%-85% = B |
| Mid-Term Exam. |
20% |
79%-81% = B- |
| Final Exam. |
20% |
75%-78% = C+ |
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71%-74% = C |
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68%-70% = C- |
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64%-67% = D+ |
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60%-63% = D |
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57%-59% = D- |
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0%-56% = F |
ATTENDANCE POLICY:
Attendance of all classes and recording sessions is expected.
Three absences from class will result in lowering the final grade
by one letter. Any extenuating circumstances must be immediately
discussed with Tom Wolfe. There will not be any make-up quizzes
or examinations.
COURSE OUTLINE:
This is subject to change. Other arrangers not listed below
will be incorporated into the curriculum for study. Therefore
the time-line is likely to change over the course of the semester.
The techniques listed above will be discussed and studied in
relation to the score analyses below.
| Classes |
Class Topics |
Project & Quiz Schedule |
| Week 1/2: |
Introduction to Intermediate
Arranging & Syllabus Review.
Review of Media Lab. |
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| Week 2/1: |
Finale: Media Lab Implementation.
Score setup, data input, playback, FTP, etc. |
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| Week 2/2: |
Finale: Media Lab Implementation continued.
Assignment: Choose tune for Project 1 and map out
the project |
Quiz #1 |
| Week 3/1: |
The Big Band: Basie - Straight Ahead
Sammy Nestico.
Inside the Score, Wright, pp. 6-12, 13-25. Assignment:
Harmonize (a la Nestico) assigned melody. Due next class. |
Submit Project #1 tune choice for approval. |
| Week 3/2: |
The Big Band: Basie
- Straight Ahead continued.
Inside the Score, Wright, pp. 13-25.
Assignment: Begin Nestico-style chart - first chorus. Due
next class. |
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| Week 4/1: |
The Big Band: Hay Burner
Sammy Nestico
Inside the Score, Wright, pp. 30-41.
Assignment: Continue arrangement - develop solo section
and backgrounds. Due next class. |
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| Week 4/2: |
The Big Band: Hay Burner continued.
Inside the Score, Wright, pp. 30-41.
Assignment: Continue arrangement - develop sax soli. Due
next class. |
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| Week 5/1: |
Nestico Charts - Score Study. Tunes - TBA.
Assignment: Continued arrangement - develop shout section.
Due 6/1 class. |
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| Week 5/2: |
Nestico Charts - Score Study. Tunes - TBA. |
Quiz #2 |
| Week 6/1: |
Individual meetings with Professor to discuss
Project #1.
Schedule: TBA. |
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| Week 6/2: |
Individual meetings with Professor to discuss
Project #1.
Schedule: TBA. |
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| Week 7/1: |
Completion of Project #1. Full class for
final review of projects. |
Project #1 Due: Parts & Score. |
| Week 7/2: |
Record Project #1. UA Jazz Rehearsal time:
3:00PM. |
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| Week 8/1: |
Record Project #1. UA Jazz Rehearsal time:
3:00PM. |
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| Week 8/2: |
Mid-Term Examination |
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| Week 9/1: |
The Big Band: 3 and 1
Thad Jones
Inside the Score, Wright, pp. 49-57, 58-74.
Assignment: Reharmonize assigned melody in the style of
Thad Jones. Due next Class. |
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| Week 9/2: |
The Big Band: 3 and 1 continued.
Inside the Score, Wright, pp. 58-74.
Assignment: Develop formal plan for arrangement and complete
first chorus. Due next class. |
Submit Project #2 tune choice for approval |
| Week 10/1: |
The Big Band: Kids Are Pretty People
Thad Jones
Inside the Score, Wright, pp. 78-81, 82-92.
Assignment: arrangement continued - solo section, sax soli,
shout chorus, etc. development. Sketches due next class. |
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| Week 10/2: |
The Big Band: Us
Thad Jones
Inside the Score, Wright, pp. 96-97, 98-106.
Assignment: arrangement continued. |
Quiz #3 |
| Week 11/1: |
Individual meetings with Professor to discuss
Project #2: Progress of arrangement.
Schedule: TBA. |
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| Week 11/2: |
The Big Band - Score Study. Oliver Nelson:
Chart TBA. |
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| Week 12/1: |
The Big Band - Score Study. Oliver Nelson:
Chart TBA. |
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| Week 12/2: |
Individual meetings with Professor to discuss
Project #2: Progress of arrangement.
Schedule: TBA. |
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| Week 13/1: |
The Big Band: Hello And Goodbye
Bob Brookmeyer
Inside the Score, Wright, pp. 155-123, 124-146. |
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| Week 13/2: |
The Big Band: First
Love Song & ABC
Blues
Bob Brookmeyer
Inside the Score, Wright, pp. 148-178. |
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| Week 14/1: |
The Big Band - Score Study. Bob Mintzer
- Chart TBA. |
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| Week 14/2: |
Individual meetings with Professor to discuss
Project #2: Completion of arrangement.
Schedule: TBA |
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| Week 15/1: |
Completion of Project #2. Full class for
final review of arrangements. |
Project #2 Due: Parts & Score. |
| Week 16/1: |
Record Project #2. UA Jazz Ensemble Rehearsal
Time: 3:00PM. |
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| Week 16/2: |
Record Project #2. UA Jazz Ensemble Rehearsal
Time: 3:00P |
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The guiding principle at The University of Alabama is to promote the personal safety of our students, faculty and staff during severe weather events. It is impossible to develop policies which anticipate every weather-related emergency. These guidelines are intended to provide additional assistance for responding to severe weather on campus.
In the case of a tornado warning (tornado has been sighted or detected by radar; sirens activated), all university activities are automatically suspended, including all classes and laboratories. If you are in a building, please move immediately to the lowest level and toward the center of the building away from windows (interior classrooms, offices, or corridors) and remain there until the tornado warning has expired. Classes in session when the tornado warning is issued can resume immediately after the warning has expired at the discretion of the instructor. Classes that have not yet begun will resume 30 minutes after the tornado warning has expired provided at least half of the class period remains.
PERSONAL CONDUCT:
It is hoped that students participating in this course will be challenged to achieve their full potential. At the same time, we are committed to providing a non-threatening learning environment. No conduct, which may be regarded as harassing as defined in the University of Alabama's stated policy will be tolerated.
To request disability accommodations, please contact Disabilities Services (348-4285). After initial arrangements are made with that office, contact the instructor.
Conditional Status and MUS 510 Advanced Arranging:
All projects for students that fall under either of these categories are assigned at the discretion of Professor Kozak. All work outlined in this syllabus is to be completed in addition to any work that may be assigned specifically for the individual needs of the student. It is the student’s responsibility to meet the expectations and deadlines that are assigned and agreed upon. Parameters and goals that are to be achieved will be discussed and determined by Professor Kozak and/or Professor Wolfe at the onset of the semester. Goals discussed that are not met to the satisfaction of Professor Kozak and/or Professor Wolfe will be graded accordingly.
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